helpResearch questionAffective, Social, and Artistic Haptics
How can haptic feedback combined with contemporary dance movements enhance dancers' expressiveness and audience experience?Direction: General AI Systems and Interaction Design
Affective, Social, and Artistic Haptics
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36
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2025
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36 items
helpResearch questionAffective, Social, and Artistic Haptics
How can haptic feedback play a more active role in choreography rather than passively conveying movement characteristics?helpResearch questionAffective, Social, and Artistic Haptics
Can haptic technology deepen audience understanding of choreographic intent and spark imagination?lightbulbPractical problemAffective, Social, and Artistic Haptics
Traditional dance performances convey emotion through vision and sound, making it hard for audiences to resonate.helpResearch questionAffective, Social, and Artistic Haptics
How can tactile affective information be designed and interpreted to enable personalized emotional communication?helpResearch questionAffective, Social, and Artistic Haptics
Is there a relationship between the design and interpretability of tactile signals?helpResearch questionAffective, Social, and Artistic Haptics
How do cultural background and individual differences affect interpretation of tactile affective signals?lightbulbPractical problemAffective, Social, and Artistic Haptics
In remote communication, emotions are difficult to convey through non-visual media such as touch.helpResearch questionAffective, Social, and Artistic Haptics
How can wearable haptic technology alleviate ecological grief (distress caused by environmental issues)?UbiComp '23Haikeus: Transmuting Ecological Grieving into Action
helpResearch questionAffective, Social, and Artistic Haptics
How can biomaterials and haptic feedback systems help users intuitively perceive connections between nature and emotion?UbiComp '23Haikeus: Transmuting Ecological Grieving into Action
helpResearch questionAffective, Social, and Artistic Haptics
How can dynamic environmental sensing systems change users' environmental perception and action?UbiComp '23Haikeus: Transmuting Ecological Grieving into Action
lightbulbPractical problemAffective, Social, and Artistic Haptics
Facing environmental problems, people feel grief and helplessness yet struggle to take positive action.UbiComp '23Haikeus: Transmuting Ecological Grieving into Action
helpResearch questionAffective, Social, and Artistic Haptics
How can balance be achieved between designers' personal memories and other users' experiences in autobiographical design?helpResearch questionAffective, Social, and Artistic Haptics
How can designers effectively convey personal earthquake memories through haptic feedback and multisensory design while creating meaning for users?helpResearch questionAffective, Social, and Artistic Haptics
When users come from different cultural backgrounds, how can autobiographical design enhance adaptability and credibility?lightbulbPractical problemAffective, Social, and Artistic Haptics
Users struggle to perceive designers' conveyed personal earthquake memories and establish emotional connection.helpResearch questionAffective, Social, and Artistic Haptics
How do different textile materials affect users' emotional perception of wrist haptic feedback?helpResearch questionAffective, Social, and Artistic Haptics
How do stroking and squeezing in haptic feedback produce different effects in emotional expression?helpResearch questionAffective, Social, and Artistic Haptics
How do material properties (e.g., softness, texture) and haptic parameters jointly affect emotional transmission?lightbulbPractical problemAffective, Social, and Artistic Haptics
Traditional haptic devices are not comfortable enough, limiting emotional communication experiences.helpResearch questionAffective, Social, and Artistic Haptics
How can wearables detect frisson (pleasurable chills) experienced by audiences during musical performances?UbiComp '22Frisson Waves: Exploring Automatic Detection, Triggering, and Sharing of Aesthetic Chills in Music Performances
helpResearch questionAffective, Social, and Artistic Haptics
Can frisson be triggered in participants through thermal haptic feedback technology?UbiComp '22Frisson Waves: Exploring Automatic Detection, Triggering, and Sharing of Aesthetic Chills in Music Performances
helpResearch questionAffective, Social, and Artistic Haptics
In immersive environments such as concerts, can shared frisson enhance social connection and emotional synchrony among audience members?UbiComp '22Frisson Waves: Exploring Automatic Detection, Triggering, and Sharing of Aesthetic Chills in Music Performances
lightbulbPractical problemAffective, Social, and Artistic Haptics
At concerts, audiences cannot share frisson experiences in real time and lack implicit communication methods to enhance social connection.UbiComp '22Frisson Waves: Exploring Automatic Detection, Triggering, and Sharing of Aesthetic Chills in Music Performances
helpResearch questionAffective, Social, and Artistic Haptics
How can haptic and motion data from hand-object interaction recognize people's emotional states?helpResearch questionAffective, Social, and Artistic Haptics
Which haptic and motion features are associated with natural emotional expression when touching rigid objects?helpResearch questionAffective, Social, and Artistic Haptics
To what extent can multimodal data (haptic + motion) improve accuracy in emotion classification?lightbulbPractical problemAffective, Social, and Artistic Haptics
Current devices struggle to recognize users' emotional states in natural hand-object interaction.helpResearch questionAffective, Social, and Artistic Haptics
How can shape memory alloy technology convey specific emotions through warmth and compression?UbiComp '21User Expectations and Mental Models for Communicating Emotions through Compressive & Warm Affective Garment Actuation
helpResearch questionAffective, Social, and Artistic Haptics
Which emotions (e.g., happiness, anger) are associated with which haptic parameters (e.g., location, intensity, pattern)?UbiComp '21User Expectations and Mental Models for Communicating Emotions through Compressive & Warm Affective Garment Actuation
helpResearch questionAffective, Social, and Artistic Haptics
How do users use mental models to design haptic strategies for conveying or eliciting emotions?UbiComp '21User Expectations and Mental Models for Communicating Emotions through Compressive & Warm Affective Garment Actuation
lightbulbPractical problemAffective, Social, and Artistic Haptics
In remote or technology-mediated scenarios, users struggle to convey emotions through touch.UbiComp '21User Expectations and Mental Models for Communicating Emotions through Compressive & Warm Affective Garment Actuation
helpResearch questionAffective, Social, and Artistic Haptics
In affective computing, can VR technology in existing datasets more realistically elicit emotions?UbiComp '21VREED: Virtual Reality Emotion Recognition Dataset Using Eye Tracking & Physiological Measures
helpResearch questionAffective, Social, and Artistic Haptics
By combining eye tracking and physiological signals (ECG/GSR), can the system efficiently classify high/low arousal and positive/negative emotions?UbiComp '21VREED: Virtual Reality Emotion Recognition Dataset Using Eye Tracking & Physiological Measures
helpResearch questionAffective, Social, and Artistic Haptics
Does the VREED dataset offer advantages over existing non-immersive datasets?UbiComp '21VREED: Virtual Reality Emotion Recognition Dataset Using Eye Tracking & Physiological Measures
lightbulbPractical problemAffective, Social, and Artistic Haptics
There is a lack of emotion recognition datasets combining immersive VR and physiological signals.UbiComp '21VREED: Virtual Reality Emotion Recognition Dataset Using Eye Tracking & Physiological Measures
Related papers
CHI 2025
“It’s Like Being On Stage”: Conveying Dancers’ Expressiveness Through A Haptic-Installed Contemporary Dance Performance
Ximing Shen, Xuan Li, Youichi Kamiyama
CHI 2025
Haptic Empathy: Investigating Individual Differences in Affective Haptic Communications
Yulan Ju, Xiaru Meng, Harunobu Taguchi
CHI 2023
Sharing Earthquake Narratives: Making Space for Others in our Autobiographical Design Process.
Claudia Núñez-Pacheco, Emma Frid
CHI 2023
Emoband: Investigating the Affective Perception towards On-wrist Stroking and Squeezing Feedback mediated by Different Textile Materials
Xingyu Yang, Kening Zhu
IUI 2021
Multimodal Emotion Recognition of Hand-Object Interaction
Radoslaw Niewiadomski, Alessandra Sciutti
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