Intermodulation: Improvisation and Art Practice for HCI
Honorable MentionAuthors
This paper integrates theory, ethnography, and collaborative artwork to explore improvisational activity as both topic and tool of multidisciplinary HCI inquiry. Building on theories of improvisation drawn from art, music, HCI and social science, and two ethnographic studies based on interviews, participant observation and collaborative art practice, we seek to elucidate the improvisational nature of practice in both art and ordinary action, including human-computer interaction. We identify five key features of improvisational action – reflexivity, transgression, tension, listening, and interdependence – and show how these can deepen and extend both linear and open-ended methodologies in HCI and design. We conclude by highlighting collaborative engagement based on ‘intermodulation’ as a tool of multidisciplinary inquiry for HCI research and design.
Research Questions / Practical Problems
Question signals indexed for this paper.
- 83%
Living Light Interfaces: An Exploration of Bioluminescence Aesthetics
DIS '21· Shape-Changing Interfaces & Soft Robotic Materials +2
- 80%
Surfacing Livingness in Microbial Displays: A Design Taxonomy for HCI
CHI '23· Human-Nature Relationships (More-than-Human Design) +1
- 80%
Learning to Engage in Interactive Digital Art
IUI '21· Digital Art Installations & Interactive Performance
- 67%
“Turning the Invisible Visible”: Transdisciplinary Bioart Explorations in Human-DNA Interaction
CHI '21· Digital Art Installations & Interactive Performance +1
- 67%
留白 (Liubai) at a Hushed Sanctuary: Layered Reflections on an Artist Residency
CHI '26· Digital Art Installations & Interactive Performance +2
- 67%
Sampling the Glitch Spectrum: Exploring the Architecture of Digital Media
C&C '24· Computational Methods in HCI +1
Based on Jaccard similarity of research subtopics & professions (≥60%)