Supporting Rhythm Activities of Deaf Children using Music-Sensory-Substitution Systems
Authors
Rhythm is the first musical concept deaf people learn in music classes. However, hearing loss limits the amount of information that allows a deaf person to evaluate his or her performance and stay in sync with other musicians. In this paper, we investigated how a visual and vibrotactile music-sensory-substitution device, MuSS-Bits++, affects rhythm discrimination, reproduction, and expressivity of deaf people. We conducted a controlled study with 11 deaf children and found that most participants felt more confident wearing the device in vibration mode even when it did not objectively improve their accuracy. Furthermore, we studied how MuSS-Bits++ can be used in music classes at deaf schools and what challenges and opportunities arise in such a setting. Based on these studies, we discuss insights and future directions that support the design and development of music-sensory-substitution systems for music making.
Research Questions / Practical Problems
Question signals indexed for this paper.
- 60%
Haptic-Captioning: Using Audio-Haptic Interfaces to Enhance Speaker Indication in Real Time Captions for Deaf and Hard-of-Hearing Viewers
CHI '23· Vibrotactile Feedback & Skin Stimulation +1
- 60%
Understanding tensions in music accessibility through song signing for and with d/Deaf and Non-d/Deaf persons
CHI '23· Deaf & Hard-of-Hearing Support (Captions, Sign Language, Vibration) +1
- 60%
Tactile Emotions: Multimodal Affective Captioning with Haptics Improves Narrative Engagement for d/Deaf and Hard-of-Hearing Viewers
CHI '25· Vibrotactile Feedback & Skin Stimulation +1
Based on Jaccard similarity of research subtopics & professions (≥60%)