Interactive Tatreez: How (and when) Can Digital Fabrication Augment Cultural-based Hybrid Crafts

Shape-Changing Interfaces & Soft Robotic MaterialsInteractive Textiles & E-TextilesMuseum & Cultural Heritage DigitizationInclusive DesignEmpowerment of Marginalized GroupsCraft Artisans (Textiles, Ceramics, etc.)Social WorkersHCI Researchers

Paper Title

Interactive Tatreez: How (and when) Can Digital Fabrication Augment Cultural-based Hybrid Crafts

Publication Info

  • Topic area: Hybrid crafts integrating traditional embroidery and digital fabrication for cultural preservation and interaction design.
  • Keywords: Tatreez, Palestinian embroidery, hybrid crafts, digital fabrication, e-textiles, cultural heritage, participatory design, storytelling, accessibility, decolonizing HCI.

Background and Problem

  • Problem / challenge: Hybrid craft research often lacks cultural diversity, focusing predominantly on Western contexts and neutral designs, with minimal representation of Arab, Islamic, and Indigenous traditions. There is limited exploration of how digital tools can preserve and augment traditional crafts like Tatreez while respecting their cultural significance.
  • Significance: Addressing this gap is critical for cultural preservation, identity reclamation, and empowering marginalized communities to reinterpret their heritage through modern technologies.
  • Motivation and related work: Prior HCI studies have explored participatory design, e-textiles, and storytelling but have not sufficiently engaged with culturally rooted crafts like Tatreez. This paper builds on decolonial perspectives in ArabHCI and hybrid crafts to investigate how digital fabrication can support cultural resilience and interactive storytelling.

Solution

  • Proposed approach: The study introduces Interactive Tatreez, combining traditional Palestinian embroidery with digital fabrication techniques, interactive e-textiles, and storytelling elements.
  • Novelty:
    1. Introducing Tatreez to the HCI community as a hybrid craft with interactive components.
    2. Conducting participatory workshops with 23 Palestinian, Arab, and Muslim participants to explore hand-stitching and digital embroidery.
    3. Presenting design opportunities and considerations for integrating digital tools into traditional crafts.
  • Procedure and key techniques:
    • Digitizing Tatreez motifs using software and embroidery machines to replicate handmade qualities.
    • Creating interactive samplers with touch-sensitive conductive threads, QR codes, and light animations.
    • Supporting hand-embroidery with machine-embroidered templates for learning and accessibility.
    • Conducting workshops and interviews to gather qualitative insights on user experiences and cultural significance.

Results

  • Concrete findings:
    • Participants valued hand-embroidery for its emotional connection, imperfections, and labor-intensive process.
    • Digital tools were appreciated for their efficiency, precision, and ability to complement traditional methods.
    • Interactive features like touch-sensing and audio storytelling enriched engagement and cultural resonance.
  • Advantage over baselines:
    • The study bridges gaps in hybrid craft literature by focusing on Arab and Palestinian contexts, offering culturally situated insights and tools.
    • It demonstrates how digital fabrication can preserve heritage while enabling new forms of storytelling and accessibility.
  • Experiments / evaluation:
    • Four workshops with 23 participants (ages 20–53) included activities like hand-stitching, digital design, and machine embroidery.
    • Follow-up interviews analyzed participants' reflections on the interplay between traditional and digital methods.
    • Metrics included qualitative thematic analysis of 124,781 words of transcripts, resulting in 427 codes and 13 sub-themes.
  • Limitations and future work:
    • The study focused on a specific cultural craft and user group, limiting generalizability.
    • Future work could explore other hybrid crafts across diverse cultural contexts and scale interactive features for public installations and educational settings.

Summary

This paper investigates how digital fabrication can augment Palestinian Tatreez, blending traditional embroidery with interactive e-textiles and storytelling. Through participatory workshops and interviews, it highlights the emotional, cultural, and practical significance of hand-stitched and machine-assisted methods. Findings reveal that hybrid craft can preserve heritage, enable accessibility, and foster cultural pride while supporting creative reinterpretation. The study contributes design opportunities and considerations for HCI researchers, emphasizing decolonial approaches and culturally sensitive practices. Future research may expand these methods to other crafts and communities, promoting cultural resilience and technological innovation.

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https://hci.top/en/papers/chi/223046/2026

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DOI: https://doi.org/10.1145/3772318.3790290
At a Glance

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Source
CHI
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Year
2026
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Authors
5 authors
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Subtopics
Shape-Changing Interfaces & Soft Robotic Materials, Interactive Textiles & E-Textiles, Museum & Cultural Heritage Digitization, Inclusive Design
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Professions
Craft Artisans (Textiles, Ceramics, etc.), Social Workers, HCI Researchers
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