Exploring Kolam As An Ecofeminist Computational Art Practice

Honorable Mention
Creative Coding & Computational ArtHuman-Nature Relationships (More-than-Human Design)Digital Art Installations & Interactive PerformanceVisual Artists & DesignersHCI ResearchersSociologists & Anthropologists

In this pictorial, we present Kolam, a visual artform originating in Tamilnadu, South India, as an ecofeminist computational art practice. We provide a visual documentation of Kolam’s Intangible Cultural Heritage (ICH) through eight characteristics based on existing research and authors’ personal experiences as Kolam practitioners. We begin by framing Kolam as an ecofeminist practice, highlighting cultural and ecological characteristics of Kolam as a Tamil tradition. We then illustrate evolving hybrid multimedia and contemporary technological practices that characterize Kolam as computational art. Our aim is to present a cohesive and compelling visual narrative using the artwork of authors and four contemporary Kolam practitioners to inspire creativity and highlight challenges for relational knowledge production in design and Human-Computer nteraction (HCI) research.

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https://hci.top/en/papers/cc/83160/2022

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Source
C&C
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Year
2022
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Honorable Mention
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Authors
2 authors
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Subtopics
Creative Coding & Computational Art, Human-Nature Relationships (More-than-Human Design), Digital Art Installations & Interactive Performance
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Professions
Visual Artists & Designers, HCI Researchers, Sociologists & Anthropologists
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Content Status
Abstract only
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Related Papers
1 related papers