FlueBricks: A Construction Kit of Flute-like Instruments for Acoustic Reasoning

Digital Art Installations & Interactive PerformanceTangible Programming & Physical ComputingMusicians, DJs & Sound DesignersDancers & Performing Artists

Paper Title

FlueBricks: A Construction Kit of Flute-like Instruments for Acoustic Reasoning

Publication Info

  • Topic area: Modular construction kits for acoustic learning and instrument design.
  • Keywords: acoustic reasoning, flute-like instruments, modular design, 3D printing, tangible interaction, musical pedagogy, instrument customization, exploratory learning, sound design, designer–player loop.

Background and Problem

  • Problem / challenge: Traditional instrument-making requires specialized craftsmanship, making acoustic reasoning inaccessible to non-experts. Existing digital tools often decouple design from physical acoustics, limiting hands-on exploration of sound production.
  • Significance: Making acoustic reasoning accessible can enhance musical pedagogy, foster creativity, and bridge the gap between instrument design and performance.
  • Motivation and related work: Prior work on modular instruments (e.g., LeMo) and digital tools (e.g., Printone) has explored customization and acoustic modeling but lacks fine-grained, tangible control over acoustic parameters. This paper builds on these efforts by introducing a hands-on system for iterative exploration of flute-like acoustics.

Solution

  • Proposed approach: FlueBricks, a modular construction kit of 3D-printed components (generators, resonators, connectors) for building and customizing flute-like instruments, enabling users to engage in acoustic reasoning through a designer–player loop.
  • Novelty:
    1. Decomposition of flute-like instruments into finer-grained acoustical units informed by aeroacoustic research.
    2. Integration of tangible modules exposing parameters like tube length, tone-hole size, and generator geometry for hands-on acoustic exploration.
    3. Support for iterative hypothesis testing and refinement through the designer–player loop.
    4. Exploration of acoustic reasoning as a pedagogical and creative framework.
  • Procedure and key techniques:
    • Users assemble and test modules iteratively, switching between designing and playing.
    • Modules include generators (sound production), resonators (pitch and timbre control), and connectors (airflow routing and hybridization).
    • Two tiers of modules: standard (pre-assembled) for novices and advanced (fine-grained) for experts.
    • Exploratory user study with 12 participants to evaluate engagement and acoustic reasoning behaviors.

Results

  • Concrete findings:
    • Participants engaged in acoustic reasoning, forming and testing hypotheses about sound behavior.
    • Behaviors observed: instrument scaffolding, rule formation, reinterpretation, and performative acts.
    • Modules with strong physical affordances were more readily adopted; ambiguous modules prompted creative reinterpretation.
  • Advantage over baselines:
    • Unlike prior modular systems, FlueBricks provides parameter-level control over acoustic properties, fostering deeper understanding of sound production.
    • Supports iterative, hands-on learning without requiring digital modeling or specialized expertise.
  • Experiments / evaluation:
    • 12 participants (novices to professionals) engaged in a 2-hour exploratory study.
    • Metrics included module usage patterns, perceptual sensitivity, and affective responses.
    • Participants successfully built playable instruments, with 11 out of 12 creating musically or pedagogically intentional designs.
  • Limitations and future work:
    • Current scope limited to flute-like instruments; potential to expand to other aerophones.
    • Tolerance issues in 3D-printed joints affected physical fidelity.
    • Future work includes classroom studies, computational augmentation (e.g., logging configurations), and refined materials.

Summary

FlueBricks is a modular construction kit enabling users to build and customize flute-like instruments while engaging in acoustic reasoning. By decomposing instruments into reconfigurable components, it supports iterative exploration of sound production through a designer–player loop. A user study demonstrated its effectiveness in fostering behaviors like instrument scaffolding, rule formation, and reinterpretation across expertise levels. While currently limited to flute-like designs, FlueBricks offers a promising framework for hands-on acoustic learning and creative exploration, with potential applications in music education and tangible interaction design.

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https://hci.top/en/papers/chi/223340/2026

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DOI: https://doi.org/10.1145/3772318.3790595
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Source
CHI
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Year
2026
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3 authors
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Digital Art Installations & Interactive Performance, Tangible Programming & Physical Computing
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Musicians, DJs & Sound Designers, Dancers & Performing Artists
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